Seasons Archives: Winter 2017

Tom RobertsPiano, whistling and vocals
Dave KlugDrums & Percussion
WaynoVocals, harmonica & ukulele

Put on your dancing shoes and dress in your vintage swing garb as Pittsburgh’s rockin’ rhythm & jazz trio, THE RED BEANS & RICE COMBO, serve up a delightful musical gumbo in their premiere appearance at historic Lincoln Hall in “A Saturday Nite Fish Fry” on Saturday, April 22, at 7:30 PM in Foxburg.

DISCLAIMER:  No actual fish will be fried at this event!  But there will be dancing at the back of Lincoln Hall for those who want to shake a leg.

The Combo features the world celebrated early jazz stride pianist, Tom Roberts (a Foxburg favorite) on piano, whistling, & vocals, along with Dave Klug on drums and his custom-built “Kluger Soundboard,” and Wayno on vocals, harmonica, & ukulele.

Why are they called The Red Beans and Rice Combo, you might ask
… because you can get fries or a biscuit with the combo but you’ll always choose the biscuit because that’s the way they ROLL – as they serve up a very cool mix of classic New Orleans R&B,  50’s rock ala Jerry Lee Lewis and Chuck Berry, Mose Allison, Tom Waits, Slim Galliard and Louis Jordan –  – all with a side of wit and humor.

IT WILL BE A SUPER FUN TIME!

The fun-loving , sharp-dressed band has been gigging around Pittsburgh for a little over a year, and quickly developed a reputation for delivering a danceable mix of New Orleans R&B, early rock & roll nuggets, and barroom ballads, with a jazzy dash of Tin Pan Alley, and ALL with wit & humor.

And you can dress in vintage garb… putting on those blue suede shoes!  Ladies and gentlemen attending the show are welcome to dress up as formally or casually as you’d like, with speakeasy attire or vintage 50’s swing finery particularly encouraged.

Join us for an elegant, fun, and funky evening, and don’t leave your dancing shoes at home!

Tickets are Adults $15, Students $5 !  Beverages available by donation.  Buy online or reserve by calling 724-659-3153. 

ABOUT THE ARTISTS

Wayne, Tom Roberts, and Tom Klug

Tom RobertsTOM ROBERTS is a world renowned piano player most noted for his love of early jazz and considered one of the finest pianists today in the exciting Harlem stride piano style.  Announcing the release of Roberts’ first solo CD Solo Art Records stated: His new CD is one of the finest solo piano recordings in the entire Solo Art catalogue… truly a four-star session with some of the finest jazz piano you’ve heard in a long time.”

Tom has performed on The Tonight Show with Johnny Carson, and A Prairie Home Companion with Garrison Keillor. He was the featured pianist at the International Stride Piano Summit in Zurich, Switzerland, 2001 and 2009. Tom was the pianist for Vince Giordano and the Nighthawks in New York City (recent Grammy winners for the soundtrack to Boardwalk Empire) and the pianist and musical director for Leon Redbone for six years.

Tom has performed twice at New York’s Carnegie Hall in 2003, once with Skitch Henderson and the New York Pops. He was featured in 2003 in solo with Dick Hyman at the prestigious Jazz In July series at New York’s 92nd St. Y. Tom has performed multiple times at The New Orleans Jazz and Heritage festival including a solo performance at The Professor Longhair Society’s Piano Night At Tipitina’s. He has performed throughout Europe as a member of multiple ensembles from New Orleans and as a member of The Ortner Roberts Duo.

Roberts has arranged and performed music for the soundtrack of the Martin Scorcese film The Aviator; for the syndicated PRI show Riverwalk Jazz, Live from the Landing with the Jim Cullum Jazz Band; and a number of pieces for Wynton Marsalis and The Jazz at Lincoln Center Orchestra. Recently he has composed new musical scores for the Charlie Chaplin films One A.M. and The Rink through a commission from The Pittsburgh Symphony.  He is excited to share his latest project, The Red Beans & Rice Combo, with friends in Foxburg.

DAVE KLUG has translated his quirky brand of humor into a successful illustration career for the past 350 dog years. His drawings have captured the eye and imagination of clients such as The Wall Street Journal, The New York Times and Scholastic. He is a regular contributor to Highlights Magazine and has been commissioned for larger than life murals for The Pittsburgh Zoo and Aquarium, The Consol Energy Center in Pittsburgh PA, and the world famous Primanti Brothers Restaurants.

Dave is also a household name when it comes to music, drumming for some of the Pittsburgh area’s best bands since the 1980s. It’s always a treat to see and hear Dave performing with one of the vintage drum kits he has rescued and restored.

Dave never strays very far from his passion for animals, and is committed to many Animal Charities including Animal Friends in Western Pennsylvania. His Veterinary Supply Store, Klugworld, creates a full line of client communications materials for animal care professionals across the country.

Wayno® is a Pittsburgh-based cartoonist, illustrator, pop artist, writer, and musician, whose name is in fact a registered trademark (hence the “circle R” symbol). He shares a special musical chemistry with Tom and Dave, and has a taste for obscure old tunes about food and drink.

He was gag writer and colorist for Dan Piraro’s Bizarro daily comic panel for more than five years, and is also a frequent writer for Hilary Price’s Rhymes With Orange comic strip. His own cartoon panel, WaynoVision, launched in 2014.

Wayno’s humorous illustrations have appeared in The New Yorker, The New York Times, Entertainment Weekly, Nickelodeon Magazine, Pittsburgh Magazine, he has designed many beer labels for East End Brewing Company. He’s mounted several one-man art exhibits, and was a Visiting Artist at the Manchester Craftsmens Guild in 2013. In 2010, Animal Friends selected him as the Honorary Artist for their Black Tie & Tails gala, which raised over $400,000 for the pet adoption & resource center.

Wayno is a member of the Pittsburgh Society of Illustrators, and serves as the chair of the Pittsburgh Chapter of National Cartoonists Society.

For more information, please visit:

TomRobertsPiano.com

Klugworld.com

GoComics.com/WaynoVision

facebook.com/RedBeansCombo/

Kari LandryClarinet
Matt LandrySaxophone
Tim GocklinOboe
Ryan ReynoldsBassoon
Andrew KoeppeBass Clarinet

As Allegheny RiverStone Center for the Arts begins its second decade in 2017, it continues its successful Educational ArtReach program begun in 2009, bringing the celebrated ensemble Akropolis Reed Quintet to perform a residency in the Allegheny-Clarion Valley Schools on Tuesday, February 21.  These seasoned and award winning Teaching Artists will conduct small classroom workshops for K-6,  assembly concerts for K-12 and after-school coaching sessions with A-C Valley band students.

Exploding with infectious energy and intensity and hailed for their “imagination, infallible musicality, and huge vitality” (Fanfare Magazine), the Akropolis Reed Quintet takes listeners on extraordinary musical adventures.

Founded in 2009 at the University of Michigan, Akropolis has won six national chamber music prizes since 2011, including the 2014 Fischoff Gold Medal. Deeply committed to nurturing music appreciation among young audiences, Akropolis is also winner of the 2015 Fischoff Educator Award.

The Akropolis Reeds are simply the very pinnacle of Teaching artist ensembles in America today. A music educator wrote after a recent residency, “Akropolis performed for our middle school and did a wonderful job of entertaining as well as educating. Concepts of musical structure and imagery were brought to the students’ attention with wit, depth, and accessibility. My only complaint is that they couldn’t stay for a month!”

Akropolis delivers passionate, energized, and unforgettable performances on a variety of series both traditional and adventurous in nature. All Akropolis events include informative musical introductions and a chance to greet the artists. Originating at the University of Michigan in Ann Arbor, Akropolis remains Tim Gocklin (oboe),  Matt Landry (saxophone), Ryan Reynolds (bassoon), Andrew Koeppe (bass clarinet), and Kari Landry (clarinet).  Akropolis Reed’s mission is to make a difference in the classical music landscape “through engaging performances, new music advocacy, and enriching educational experiences.

About the Akropolis Residency at A-C Valley Schools

ARCA’s arts education program fulfills its mission as a non-profit organization, demonstrating its commitment to contribute to the future of the Allegheny-Clarion valley community through the arts education of its young people. ARCA is grateful for its partnership with the A-C Valley School Board, administrators, faculty and music specialists in making this program possible.

The Akropolis Reeds musicians will perform three small workshops for Allegheny-Clarion Valley Elementary students in grades Pre-K to 6 in the morning, prior to an assembly concert for all elementary students in the Elementary School gymnasium. In the afternoon they will move to the Jr. and Sr. High School to perform an assembly concert for grades 7 – 12 in the High School Auditorium, AND after school conduct hands-on workshops with A-C Valley band students, coordinated by Scott DiTullio, High School Band Director.

The Akropolis Reed Quintet is looking forward to working with young local band musicians in their workshops at A-C Valley and performing for every student in the school system from Pre-K to Grade 12.

Designed specifically as an arts education resource for A-C Valley students, Akropolis Reed Quintet assembly concerts and workshops are not open to the public. Because there is no admission for any residency events, ARCA relies on contributions from the community to support its art education program in the A-C Valley Schools. Anyone interested in making a contribution or becoming an ARCA member may do so on this site.

In advance of their residency, elementary music teacher, A-C Valley choral director and musical theatre director Jennifer Lowrey will prepare students in K-6 for the small workshops, introducing them to songs and melodies from these musicals as well as the instruments in the reed family.  Jennifer Lowrey said of ARCA’s arts education program, “The students at A-C Valley have a love for the arts. The programming ARCA has brought into our district over the years has nurtured that love and opened a window into a world of professional artistic excellence that many students otherwise might not get a chance to experience. It also has given them a glimpse of the possibility of who they could become as an artist.”

A-C Valley Band Direction, Scott DiTullio, expressed his delight that the Akropolis Reeds will be conducting after-school, hands-on workshops with his students in the A-C Valley Jr. and Sr. High School Bands on February 21:  “Musicians grow, in much the same way as athletes.  Musicians train daily for perfection of their instrument.  As they perform with others, musicians have to be at the highest possible level.  They cannot make a mistake.  One wrong note or rhythm in music, creates a major problem for the entire group as they are performing.  Unlike in basketball, if a player misses a free throw, the rest of the team is there to make up for it.  That doesn’t happen in music.  The role of each musician is vital to the entire group, it takes all of them to be 100% accurate all of the time.  Throughout the last several years we have had many university band directors work with our students to help get us to the next level.  Having the young and dynamic professional musicians in The Akropolis Reed Quintet on our campus is an added bonus!  They are inspiring performers and experienced teachers who will be working with the students to help them understand more of what their individual responsibilities are as a musician and as a member of the band.  A special thank you to ARCA for bringing these amazing programs to our students and community.”


Known for his sensitive, colorful and engaging performances, Timothy Gocklin shares his passion for music through his deep love for the oboe. Tim’s relationship with the oboe began at age 11, the day after attending a military band concert featuring the oboe. Since then, he has gone on to perform with some of the world’s leading artists, including Yo-Yo Ma and Richard Stolzman.

Outside of Akropolis, Tim performs chamber music in a wide variety of settings. He performed Hindemith’s Die Serenaden as part of the Yale in New York series at Carnegie’s Weill Recital Hall, and he has participated in the Sarasota and Norfolk Chamber Music Festivals. As a fellow of the Norfolk Chamber Music Festival, Tim had the privilege of working with Carol Wincenc and William Purvis in a performance of Charles Gounod’s Petite Symphonie and Emile Bernard’s Divertissement. In addition, Tim spent the summer of 2012 as a member of the Interlochen Ensemble, a quintet-in-residence at the Interlochen Arts Camp performing around the state of Michigan.

In addition to Tim’s active career as a chamber musician, he has also been fortunate to have opportunities performing as a soloist. In 2009, Tim was announced winner of the inaugural U.S. President’s Own “Marine Band” Concerto Competition, and as a result performed Haydn’s Oboe Concerto with the ensemble at the MTNA national conference in Milwaukee, WI. A few months earlier Tim was invited to perform Bach’s Concerto for Violin and Oboe in C minor as a guest soloist with the Nashua Chamber Orchestra.

Tim can be heard on the NAXOS and Block M record labels and has participated in other recording projects, including two albums with the University of Michigan Symphony Band in 2010 and 2012, the second of which featured new works for wind ensemble under the direction of Michael Haithcock. These works were taken on a tour to China where the band performed 9 concerts in 6 cities, including at Beijing’s National Centre for the Arts and Shanghai’s Grand Theatre. In 2011, he recorded the three piano concerti of Alberto Ginastera with pianist Barbara Nissman and the University of Michigan Symphony Orchestra.

In 2012, Tim received his Bachelors degree summa cum laude from the University of Michigan where he studied with Dr. Nancy Ambrose King. He went on to complete his Master of Music degree at Yale University studying with Steven Taylor. When not playing the oboe or widdling away at his reeds, Tim can be found relaxing in a coffee shop with a journal and pencil on one side and a hot, robust cup of coffee on the other.

Kari Landry is a Backun Artist and the clarinetist of the acclaimed Akropolis Reed Quintet. Founded in 2009 at the University of Michigan and hailed by Fanfare Magazine as performing with “imagination, infallible musicality and huge vitality”, the Akropolis Reed Quintet delivers over 70 engaging performances and educational outreach events every year for communities around the United States and abroad.

As the Marketing and Development Manager of Akropolis’ 501(c)(3) nonprofit, Kari is committed to increasing access to classical music within communities and educating the next generation of musicians to ensure that a vibrant culture of art persists in our society.

Kari is currently the Marketing & Programs Manager at the Ann Arbor Summer Festival, an exhilarating celebration of performing arts, outdoor entertainment, and community spirit. Offering 170 + concerts and events to discover with 80,000+ attendees annually, A2SF showcases the best in music, dance, comedy, film, circus and street arts, and family entertainment. Going on her third season with the festival, Kari’s responsibilities range from digital media & web management, digital & print marketing, program booking, graphic content creation, and nightly event management.

Prior to her current position, Kari received a Michigan EMMY for best historical documentary for her work on “A Space for Music, A Seat for Everyone” showcasing 100 Years of University Musical Society Performances in Hill Auditorium.

Kari received her bachelor’s and master’s degrees in clarinet performance from the University of Michigan, studying with Cleveland Orchestra clarinetist Dan Gilbert. Kari was the Eb Clarinetist in the University of Michigan Symphony Band’s 2011 tour to China, which released a recording of premiere band works by the composers Kristin Kuster, Bright Sheng and Michael Daugherty under the Block M record label. Kari has also spent two of her college summers at the Aspen Music Festival. As an avid clarinet teacher in southeast Michigan, Kari owes all of her musical success to her instructors. Her clarinet teachers have included Dan Gilbert, Chad Burrow, Ted Oien and Suzy Dennis-Bratton.

Matt Landry began his music career gigging and teaching as a pianist. He took up the clarinet after piano, and finally the saxophone in middle school. Born in New Orleans before moving to Michigan, Matt dabbles in and appreciates many musical styles. One winter upon reading The Devil’s Horn, a book about the saxophone’s invention and inventor, Matt fell in love, finding the instrument he would stick with for good.

Matt has performed on several concerts with Orchestra Canton, including Milhaud’s La Création du Monde, and he has performed Bernstein’s On the Town with the Dearborn Symphony. He also appears regularly with the Michigan Philharmonic. As well as Akropolis’ two studio albums, he can be heard on two CDs produced by the UM Symphony Band under the Equilibrium Records label, Raise the Roof and Classic Structures. Matt received his Bachelors degree Summa Cum Laude in Music Education and Saxophone from the University of Michigan, where he studied with Donald Sinta.

Matt is an avid educator and community engagement specialist. He was a full-time piano teacher at the Expressions Music Academy in Novi, MI where he was also Director of Marketing and Outreach, connecting Expressions to neighborhood businesses, schools, and families. Presently he works for the Detroit Regional Chamber as an outreach specialist to small businesses in Detroit and the Detroit metro area.

Matt has also taught middle school band and elementary music full time and he has helped create after-school music programs in west Detroit. Matt also interned at the Detroit Symphony Orchestra in Neighborhood Audience Development.

In his spare time he enjoys writing, reading, collecting more pianos than his small home has room for, running even though his knees won’t allow it, and trying to emulate the southern cooking styles of his extended southern family.

Ryan Reynolds chose the bassoon in 5th grade under the impression that it produced only one note and would therefore be the easiest instrument to play. His disappointment upon discovering three and a half octaves of notes quickly turned to fascination and intrigue, with the “gorgonzola of the orchestra” providing daily mysteries and rewards.

Ryan is currently the Graduate Teaching Assistant for the Florida State University bassoon studio, and has performed with the Traverse and Ann Arbor Symphony Orchestras. In 2009, Ryan toured the upper peninsula of Michigan with the Sonrisa Wind Quintet as an artist-in-residence for the Pine Mountain Music Festival, and in 2012 was a member of the Interlochen Ensemble, a wind quintet built entirely of Interlochen alumni that toured around the Midwest.
A passionate educator, Ryan has taught a studio of young bassoonists from throughout southern Michigan, and is currently teaching many of the undergraduate bassoon students at Florida State University. Ryan has taught numerous beginning bassoon camps, masterclasses, and clinics at schools around the United States. He has taught bassoon methods classes at the collegiate level, and coaches several chamber ensembles at FSU.

Ryan has been featured on National Public Radio’s “From the Top”, Interlochen Public Radio, and can be seen in numerous videos in the University of Michigan Bassoon Studio YouTube series.
After attending the Interlochen Arts Academy from 2004-08 where he studied with Dr. Eric Stomberg, Ryan replaced his ‘Interlochen blues’ with Michigan’s, attending the University of Michigan from 2008-2014 while studying with Dr. Jeffrey Lyman. Ryan is currently pursuing his DMA degree at Florida State University under the tutelage of Jeff Keesecker. Ryan is adamant that his sports allegiances still lie with the Maize and Blue.

Ryan’s ultimate goal is to become a respected pedagogue at the university level, and he is grateful to have studied with a series of devoted and inspiring teachers.

An Ann Arbor native, Andrew Koeppe majored in clarinet at the University of Michigan and studied with Chad Burrow, Deborah Chodacki and Monica Kaenzig. He performed in the University Symphony Band under the direction of Michael Haithcock, and the University Symphony Orchestra and University Opera Theater under the direction of Kenneth Kiesler. Andrew can be heard on two University of Michigan CDs, including interactions with acclaimed soloists Nancy Ambrose King and Adam Unsworth, as well as the premiere of William Bolcom’s Symphony for Band. He was the featured clarinet soloist in Bolcom’s band orchestration of “Graceful Ghost Rag” on the University of Michigan Symphony Band CD Artifacts. Today, he is a regular performer with the Ann Arbor Symphony Orchestra.

While studying at the University of Michigan, Andrew performed in clarinet master classes with Stanley Drucker (New York Philharmonic), Carey Bell (San Francisco Symphony), Julia Heinen (Professor, California State University), and Eighth Blackbird. He was also selected to attend the Buffet-Crampon USA Clarinet Academy in Jacksonville, Florida in 2009 where he studied with clarinetists Eugene Mondie, Dan Gilbert, Andre Moisan, and Ixi Chen.

Also in 2009, Andrew played principal clarinet and bass clarinet in a small orchestral ensemble of select University of Michigan students in a weeklong multi-media workshop and final performance of “Ask Your Mama” with composer Laura Carpman, curator Jessye Norman, and conductor George Manahan. This new work later premiered at Carnegie Hall.

Andrew has also performed with the Michigan Youth Orchestra, the University of Michigan All-State Orchestra at Interlochen, and in large and small ensembles at the Michigan Youth Arts Festival. He teaches clarinet and bass clarinet in Ann Arbor as well as at the Expressions Music Academy in Novi, and performs as a soloist in churches in the Ann Arbor area.


The Akropolis Reed Quintet takes listeners on extraordinary musical adventures, performing an innovative repertoire with acclaimed precision. Founded in 2009 at the University of Michigan and the first ever reed quintet to win the Fischoff Gold Medal in 2014, Akropolis took Grand Prize at the MTNA and Plowman chamber music competitions consecutively in 2011, and has garnered prizes at three additional national competitions. Championing the next generation of maverick musicians, Akropolis is also winner of the 2015 Fischoff Educator Award, delivering impactful outreach at schools ranging from kindergarten to conservatory. Akropolis has released two studio albums to critical acclaim and commissioned more than 25 reed quintet works to date. Their dynamic concerts feature accessible contemporary works framed by invigorating arrangements of classical music spanning four centuries.

Hailed for their “imagination, infallible musicality, and huge vitality” (Fanfare Magazine), the Akropolis Reed Quintet takes listeners on extraordinary musical adventures. Founded in 2009 at the University of Michigan, Akropolis has won six national chamber music prizes since 2011, including the 2014 Fischoff Gold Medal. Deeply committed to nurturing music appreciation among young audiences, Akropolis is also winner of the 2015 Fischoff Educator Award. Akropolis is an alumnus of APAP’s prestigious Young Performer’s Career Advancement Program (YPCA) and has received grants from Chamber Music America and the Michigan Council for Arts and Cultural Affairs for Detroit-based community and educational outreach projects, as well as operating support from the Aaron Copland Fund for Music’s Performance Program, whose objective is “to support performing and presenting organizations whose artistic excellence encourages and improves public knowledge and appreciation of serious contemporary American music”.

Akropolis’ impressive list of series and festival appearances include 16/17 stops at Caramoor, Chamber Music Northwest, and the Chautauqua Music Festival. Akropolis has been selected as a juried showcase participant at APAP, Chamber Music America, Performing Arts Exchange, and the Mid-Atlantic Performing Arts Market. With three studio releases (including a March, 2017 release, The Space Between Us), Akropolis has recorded 17 original reed quintet works, and by the end of the 16/17 season will have performed, recorded, or published the work of 21 American composers.

Prolific collaborators, Akropolis premiered the first work for reed quintet and string quartet by David Schiff with the Dover Quartet in 2015, and has performed with artists like the Miró Quartet and renowned clarinetist David Shifrin. In 2015 Akropolis gave an interactive, fully choreographed performance of Four-Letter-Word (Robbie McCarthy) with BodyVox Dance in Portland, OR, and has constructed multi-disciplinary performances with university dance students, theater students, and even HarperCollins published author and scientist, Vic Strecher. During its 16/17 season Akropolis will even perform with youth wind ensembles in Abu Dhabi.

A self-identified entrepreneurial enterprise, Akropolis recognizes the need for rising artists to carve out space for their careers in today’s marketplace. Establishing Akropolis WORKS in January 2016, Akropolis teaches an annual 7-week mini-course at the University of Michigan, and has delivered WORKS lectures to college-level musicians around the United States on marketing, financial planning, brand identity, and more. Equally committed to students K-12, Akropolis toured Illinois and Indiana on the Fischoff Educators Tour in 2015, collaborating with local school reading programs to musically re-enact a children’s book – “The Best Story” by Eileen Spinelli. In 2013 Akropolis conducted its “Fall Education Tour”, funded by over $5,000 raised by a Kickstarter crowdfunding campaign. The tour visited 10 schools in Michigan serving underprivileged youth or under-funded arts programs.

Deeply invested in establishing the reed quintet as a cornerstone chamber music ensemble, Akropolis has commissioned more than 25 works from composers in 7 countries, and was selected to premiere the winner of the 2018 Barlow Prize funded by the Barlow Endowment. Previous Barlow Prize premieres have been performed by artists including Yo-Yo Ma, the Philadelphia Orchestra, and eighth blackbird. Akropolis produces a YouTube Web Premiere Series, showcasing new works, arrangements, and composer interviews for a live Internet audience. In 2012 Akropolis created Akropolis Collection and has now sold over 125 original and arranged sheet music works to more than 30 new and established reed quintets. Akropolis is also an annual judge for the Calefax Composers Competition, reviewing 40+ new reed quintet works and committing performances and recordings to their winning selections.

Placing emphasis on audience development for new and traditional classical music, Akropolis regularly appears in unconventional settings, including performances in office spaces in Detroit as part of its Chamber Music America Residency Partnership in January, 2017. In May, 2016 Akropolis conducted a live recording session featuring audience participation for John Steinmetz’s Sorrow and Celebration for reed quintet and audience, which Akropolis commissioned in 2014.

Akropolis delivers passionate, energized, and unforgettable performances on a variety of series both traditional and adventurous in nature. All Akropolis events include informative musical introductions and a chance to greet the artists. Originating at the University of Michigan in Ann Arbor, Akropolis remains Tim Gocklin (oboe), Kari Landry (clarinet), Matt Landry (saxophone), Andrew Koeppe (bass clarinet), and Ryan Reynolds (bassoon). Akropolis is a 501(c)(3) nonprofit organization whose mission is to make a difference in the classical music landscape “through engaging performances, new music advocacy, and enriching educational experiences”.

Judi FigelVocals
David CrisciKeyboards
Robbie KleinSaxophone & Flute
Tod TreganowanDrums

By popular demand of its cabaret-loving audience, Allegheny RiverStone Center for the Arts is pleased to bring back to Foxburg one of the preeminent and most on-demand singers in the Pittsburgh jazz and cabaret scene, Judi Figel, backed by the superb musicians in her band – to create an unforgettable evening of cabaret singing and dance music in Lincoln Hall’s romantic nightclub environment on Saturday, June 17 at 7:30 PM.  

Be sure to wear your dancing shoes for dancing at the back of Lincoln Hall.   Glittering candlelight and cabaret table seating to enjoy these consummate artists make it the perfect night out to celebrate the Father’s Day weekend.  Cheese and snacks will be served, with beverages by donation.

Known for her extraordinary voice and musicianship, Judi Figel is a celebrated singer in the jazz scene and musical nightlife in the Pittsburgh area who takes her audiences on a ride from pop, country, the blues and jazz standards to musical theater and light rock.  Judi’s glorious singing and her fun-loving personality will charm, soothe and rock your soul.

As has been said of Judi’s voice and vocal artistry, “WHAT A VOICE!  This singer really has the pipes – and a beautiful heart to match!”  Judi and the superb instrumentalists in her Trio, will create an unforgettable evening of cabaret singing and dance music: David Crisci on keyboards, Robbie Klein, sax and flute and Tod Treganowan on Drums.

Tickets are Adults $30, Members $25, Students $5. Snacks are served.  Beverages are available by donation.   Dancing at the back of the hall.  Because of cabaret table seating, RESERVATIONS ARE REQUIRED.  Seating is limited so be sure to reserve early.  To reserve a table or tickets, call 724 659-3153 or buy online here.

At home in front of an eighteen piece band or at the piano herself, Judi’s singing is tasty, artistic, powerful and soulful.  You will not want to miss this opportunity to hear Judi right here in the Allegheny River valley in a romantic, candle lit night of cabaret and dancing in Lincoln Hall.  Be sure to wear your dancing shoes for dancing at the back of Lincoln Hall.   Glittering candlelight and cabaret table seating to enjoy these consummate artists make it the perfect “night out” to celebrate the Father’s Day weekend.

ABOUT THE ARTIST

Judi Figel is a celebrated singer in the jazz scene and musical nightlife in the Pittsburgh area. A dynamite singer and great pianist Judi performs a wide variety of music styles. Her repertoire includes pop, jazz, country, light rock, Broadway and standards. Her fun-loving personality along with strong vocals will surely captivate and delight!

Moving gracefully from performing as a solo singer/pianist to fronting an eighteen piece big band, Judi has performed with her “Judi Figel Duo/Trio” in countless public venues in the Pittsburgh area and performed for many years at private venues with the dance band “Starfire”.   Judi has done pre-shows at the Post-Gazette Pavilion and the Chevrolet Amphitheater for Bobby Vinton, John Fogerty, John Cougar Mellencamp, Earth, Wind and Fire, Chicago and Steely Dan.

A featured vocalist with the Trinity Jazz Orchestra big band, Judi has performed at the Pittsburgh Three Rivers Regatta and the Byham Theater. Judi also has been a much sought after soloist for wedding ceremonies and receptions in and around the Pittsburgh area since 1980. Judi has recorded as a vocalist on several local artists’ albums and has done several commercial spots.  Judi is currently in production on a solo CD project.

Originally from the West Mifflin area, Judi now resides in Monroeville. She earned a Bachelor of Music at Oberlin College as a piano major/voice minor specializing in Music Education and a Master of Music Education at Duquesne University. Judi is a retired music instructor from the Plum Borough School District.

Make your plans now for a night out with your sweetheart, serenaded by this consummate singing artist and her tasty jazz musicians – David Cisci, Robbie Klein, and Tod Treganowan!  It will be a night you will long remember.

Tickets are Adults $30, Members $25, Students $5. Snacks are served.  Beverages are available by donation.   Because of cabaret table seating, reservations are required.  Seating is limited so be sure to reserve early.  To reserve a table or tickets, call 724 659-3153 or buy online here.

Pittsburgh Symphony Chamber Players

Jennifer OrchardViolin
Shu ZhanViolin
Marylène Gingras-RoyViola
Mikhail IstominCello
Dimitri PapadimitriouPiano

Back by popular demand, the Pittsburgh Symphony Chamber Players return to Lincoln Hall on Sunday, May 7, 2107 at 2:00 PM to perform an inspiring program that seems to exude the joy and exuberance of spring! It promises to be a glorious afternoon of world class chamber music right in the intimacy and crystalline acoustics of Lincoln Hall – as the beautiful Allegheny River Valley is in full bloom.  

The concert includes the thrilling masterwork, Robert Schumann’s Piano Quintet in E flat Major, as well as Gustav Mahler’s piano quartet and Antonín Dvorák’s Terzetto and the hauntingly beautiful second movement from his “Dumka” Piano Quintet.  

The extraordinary PSO Chamber Players artists include Pittsburgh Symphony violinists Jennifer Orchard and Zhan Shu, violist Marylène Gingras Roy, and cellist Mikhail Istomin, joined by Pianist Dimitri Papadimitriou.  Appearing in ARCA’s inaugural classical concert in 2005 with mezzo soprano Katherine Soroka, Jennifer Orchard and Mikhail Istomin have become audience favorites; they have appeared in nearly every ARCA season and frequently with violist Marylène Gingras Roy, who most recently performed in the Schubert “Trout” Quintet with pianist David Allen Wehr in the Duquesne University “Schubert on the Bluff” program.  It will be a love fest for their fans as they return to perform some of the most lyrically beautiful chamber music ever written!

110410_pgh_symph_chamber_payers_049

After the concert, join us for a Meet the Artist reception at the Red Brick Gallery and Gift Shop, from 4 to 6 PM coinciding with the Red Brick Gallery exhibit Magic & Mystery:  Painters Bruce Pipman & Jason Floyd Lewis at 17 Main Street, Foxburg.

Tickets are Adults $25, Members $20, Students $5.  Call to reserve at 724-659-3153 or buy online here.

arca_pgh_symph_spring-15 - Version 2The Chamber Players is an acclaimed group of Pittsburgh Symphony musicians performing in mixed ensembles raging from two to eight artists.  Previous appearances on the stage of Lincoln Hall have made this group an audience favorite.  Their performances are noted for an eclectic mix of traditional repertoire along with rarely heard works and new compositions-a display of daring and intelligent programming presented with uncompromising artistry.  The Pittsburgh Post-Gazette states: “They appealed to the heart and the head, offering a warm, seductively luxurious sound and an impressive precision and unity of purpose”.

Mikhail ‘Misha’ Istomin, Pittsburgh Symphony Cellist and the group’s Artistic Director says: “Our concerts with favorite chamber music treasures, new musical flavors and stirring experiences will engage and involve you with both the music and musicians for intimate and informative performances, taking chamber music back to its roots as an evening among friends”.

Each member of this ensemble has an impressive list of credentials not only as performers, but also as educators, sharing their skills and love of music with students of all ages.  “One piece of great art makes all people feel the same…another piece of great art makes people feel a variety of emotions, but one thing is constant: great art always makes people….feel!”- Misha.

The concert program will feature master works by Antonín Dvorák, Gustav Mahler and Robert Schumann.

Antonín Dvorák            Terzetto in C, Opus 74 for Two Violins and Viola
     Introduzione: Allegro ma non troppo
     Larghetto

Gustav Mahler               Piano Quartet in A minor

Antonín Dvorák            Second movement of Piano Quintet No. 2 in A major, Opus 81
Dumka:  Andante con moto

Robert Schumann        Piano Quintet in E flat major, Opus 44
     Allegro brillante
    In modo d’una marcia. Un poco largamente
    Scherzo: Molto vivace
    Allegro ma non troppo

Mikhail ‘Misha’ Istomin, born and educated in Russia, holds a Master of Music degree from the St. Petersburg Conservatory. While still in school, he became Principal Cellist of the State Hermitage Orchestra under the direction of Saulus Sondetskis and later joined the orchestra of the Kirov Academic Opera and Ballet Theatre under Valery Gergiev.  In 1987, Istomin became the cellist of the Leningrad Conservatory String Quartet, and in 1989 the group won the grand prize in the National Soviet Union Competition of String Quartets. Later that same year, Istomin defected during the quartet’s US tour, and was granted political asylum in the United States.

Immediately following these events, Istomin joined the Richmond Symphony and became a faculty member of both Virginia State University and the Governor’s School for the Performing Arts at the University of Richmond.  Istomin was appointed Principal Cellist of the Pittsburgh Opera and Pittsburgh Ballet Theater orchestras in 1991, and the following year he joined the Pittsburgh Symphony Orchestra under Maestro Lorin Maazel.

Istomin is a winner of both the Passamaneck Award of the Y Music Society and the Pittsburgh Concert Society Major Auditions. He has appeared as a soloist with the Pittsburgh Symphony Orchestra, the Williamsburg Symphonia, the Asheville Symphony, the Knoxville Symphony and others.In July of 1998, Mr. Istomin returned to St. Petersburg to perform in the Second World Cello Congress under the direction of Mstislav Rostropovich.

Istomin is a founding member of the Pittsburgh Piano Trio. The Trio has released three CDs on the Minstrel Label to resounding critical acclaim. Three Graces features the chamber music of British composer Armstrong Gibbs; Phantasie is dedicated to the chamber music of Frank Bridge; the CD of Russian music includes the Piano Trio by Georgy Sviridov and Seven Romances inspired by the poems of Alexander Blok. “Encore!…Encore!” is a collection of short works for a piano trio, including compositions by Piazzolla, Schostakovich, Albeniz, Glinka and many others.

Frequent guests at major summer music festivals in the US, Canada and Europe, the Pittsburgh Piano Trio recently premiered a Triple Concerto by post-romantic Russian composer Paul Juon with The Tchaikovsky State Symphony Orchestra under Vladimir Fedoseev at the Moscow Conservatory Grand Hall.

Canadian violinist, Jennifer Orchard, has traveled the world performing as a chamber musician, soloist, and as first violinist of the Pittsburgh Symphony Orchestra since 2001. Upon graduating from the Juilliard School, Ms. Orchard was invited to be a member of the world renowned Lark Quartet. As a legacy from this time period with the quartet, Ms. Orchard recorded works of Robert Schumann, Alfred Schnittke, Peter Schickele, Arnold Schoenberg, Alexander Zemlinsky, Amy Beach, Alexander Borodin and the Pulitzer Prize winning quartet by Aaron Jay Kernis – one of several new works for string quartet commissioned by the Lark Quartet.

Shortly after arriving in Pittsburgh, Jennifer was invited to join the Pittsburgh Piano Trio. Highlights of their career include a tour to Russia to the St Petersburg Conservatory and the Moscow Conservatory Grand Hall where the trio presented the Russian premiere of the triple Concerto of Paul Juon with the Tchaikovsky State Symphony Orchestra under the direction of Vladimir Fedoseev.

As well as playing with the Pittsburgh Symphony, Orchard enjoys staying active in the chamber music arena. Her recent release of Paul Juon’s violin and piano works was a world premiere and has another CD of Paul Juon’s music with pianist, Igor Kraevsky scheduled for later this year.

Ms. Orchard studied at the Curtis Institute of Music with Szymon Goldberg and at the Juilliard School with Robert Mann. She participated in the Marlboro Music Festival in Vermont, the Schleswig Holstein festival in Germany and the Mehli Mehta Festival in Mumbai, India.

She plays on an Andreas Guarnerius violin, dated circa 1676.

Marylène Gingras-Roy, a native of Québec City, Canada,  joined the Pittsburgh Symphony Orchestra viola section in the 1997 season, and in 2004 was promoted to fourth chair. She studied at the Conservatoire de Musique de Québec with Douglas McNabney and François Paradis and graduated in 1993 with unanimous First Prizes in both in viola and chamber music. She was the recipient of Canada and Québec Arts Councils’

Scholarship Grants, enabling her to attend the Harid Conservatory, where she studied with Victoria Chiang, and then at the renowned Curtis Institute of Music with Karen Tuttle and Joseph DePasquale. She earned an Artist Diploma in 1997.

Marylène is adjunct professor of viola at Duquesne University and has a full private studio at home. She is also an orchestra coach for the Three River Young Peoples orchestra and the Pittsburgh Youth Symphony. A highly sought-after teacher and pedagogue, Marylène has over twenty years of experience with students at various levels of experience and distinction.

Marylène has also taught at summer music festivals such as: Domaine Forget, Québec, Interharmony Festival in Germany and Italy and Advanced Chamber Music Seminar in Pittsburgh.  Marylène has been featured as a soloist with the Pittsburgh Symphony, the Duquesne University Orchestra and Symphonette and she performs regularly in chamber music concerts.

She has participated in many festivals, including the Festival Dei Due Mondi in Spoleto, Italy, the Solti Project at Carnegie Hall, the Jerusalem Music Festival, the Jeunesses Musicales World Orchestra (where she served as Principal violist), and since 2000 the Sun Valley Summer Symphony in Idaho.

Marylène’s recordings of chamber music include Leo Zeitlin’s Yedish songs and the Caprichos Nos. 2-4 by Leonardo Balada (world premiere recording) for the Naxos label. She has also recorded the Serenade no 6 for trombone, viola and cello by Vincent Persichetti.

Marylèneʼs viola is by Italian maker Umberto Muschietti (1929).


Violinist Zhan Shu
joined the Pittsburgh Symphony Orchestra at the start of the 2014-2015 season. Before coming to PSO, Shu spent 8 seasons as a member of the Milwaukee Symphony Orchestra, where he also served as Acting Associate Concertmaster for the 2008-2009 season. Shu has previously served as concertmaster of the Terre Haute Symphony Orchestra and Symphony of Southeast Texas, and as guest concertmaster of the Quad City Symphony Orchestra in Iowa, EOS Repertoire Orchestra in China, Pacific Music Festival Orchestra in Japan and Scheleswig-Holstein Musik Festival Orchestra in Germany.

Shu has won numerous competitions, including the first prize at the Friday Woodmere Music Club Young Artist Competition in New York,  the Midland-Odessa Symphony Young Artist Competition, the Indiana University Concerto Competition, the Mannes College of Music Concerto Competition, the Texas Music Festival Concerto Competition, and price winner of the New Jersey Symphony Young Artist Competition, the Central Conservatory of Music Violin Competition and the China Youth Violin Competition. The recordings of Shu’s performances have been heard on WQXR’s McGraw Hill Young Artists Showcase in New York City, WUSF in Tampa, KUHF in Houston and NPR. Shu has appeared as soloist with the Pittsburgh Youth Symphony Orchestra,  the Milwaukee Symphony Orchestra, the Indiana University Philharmonic, the Texas Music Festival Orchestra, the Mannes College of Music Symphony Orchestra, the Midland-Odessa Symphony Orchestra and the Hunan Symphony Orchestra in China.

As an active chamber musician, he performed regularly with the Present Music and Colectivo Coffee Chamber Music Series in Milwaukee. Shu has also been invited to participate in Sarasota Music Festival, Toronto Summer Music Festival and Peninsula Music Festival in Wisconsin.

Pianist Dimitri Papadimitriou has distinguished himself as an artist of refined musicianship and personal verve. A passionate avid of chamber music, Dimitri has recently collaborated with principal musicians from major European and U.S. orchestras, including Noah Bendix-Balgley, concertmaster of the Berlin Philharmonic, and Andrés Cárdenes, former concertmaster of the Pittsburgh Symphony Orchestra. A musician of versatile skills, he has lately developed an interest in conducting that led him to a successful debut on the podium with Chausson’s Symphony in B-flat major and Shostakovich’s Ninth Symphony at the Pierre Monteux Festival and School. Currently a faculty member at the Carnegie Mellon University School of Music in Pittsburgh, he also serves as the Artistic Director of the ‘Carnegie Mellon Chamber Series’, a newly found series that brings together members of the CMU faculty and Pittsburgh Symphony Orchestra. Before moving to the U.S., Dimitri was residing in Ireland enjoying a flourishing career with engagements in some of the country’s most prestigious venues and festivals, while completing his Doctorate in Music Performance. A native of Greece, Dimitri at age sixteen won first prize at the international chamber music competition ‘Classical Heritage’ of Moscow, made his debut with the Greek Radio Symphony Orchestra with Rachmaninov’s ‘Rhapsody on a theme of Paganini’ and following an outstanding success, he was invited to perform Tchaikovsky’s First Piano Concerto for a national broadcast. A graduate of Indiana University and the Royal Irish Academy of Music, he has participated in a plethora of festivals throughout Europe and the U.S.

 

Resonance Works – Pittsburgh

Do you LOVE Broadway musicals and professional musical  theatre – but can’t get down to Pittsburgh or New York City?  Then this sophisticated, professional musical theatre revue of Broadway’s musical and dramatic genius, Stephen Sondheim, right here in FOXBURG is for you!!

In its debut in the Region on Friday, March 3 at 7:30 PM in Lincoln Hall, Allegheny RiverStone Center for the Arts is proud to present a professional stage production of the Tony award winning revue, Side by Side by Sondheim – produced by Pittsburgh’s innovative company, Resonance Works.

This celebration of the wit and genius of musical theater’s most influential artist of the last half-century – Stephen Sondheim – features favorite numbers from Company, Follies, A Little Night Music, A Funny Thing Happened On The Way To The Forum, Anyone Can Whistle, and Pacific Overtures, plus his collaborations with giants Leonard Bernstein, Jule Styne and Richard Rodgers.





“Sondheim’s brilliant music has long been beloved by opera and musical theater performers alike. His songs and productions are pieces of remarkable workmanship – crossing different styles of music and theater, and taking on issues of contemporary life with his brilliant wordplay. Marriage, relationships, madness, nostalgia, injustice, revenge, and the human condition are explored in meaningful ways” says Artistic Director Maria Sensi Sellner. “This revue also presents a number of lesser-known but marvelous songs that you will be glad to know, from shows like The Mad Show and The Seven-percent Solution.”

The brilliant stage director, Craig Joseph, returns after directing Resonance Work‘s Trouble in Tahiti last season.  Singing Sondheim’s tasty, introspective and dramatic numbers will be seasoned RW professional singers from New York City and the Pittsburgh region – Hilerie Klein Rensi (Evidence of Things not Seen), Rebecca Shorstein (Elixir of Love, Cinderella), Daniel Teadt (Amahl, Evidence of Things not Seen), and Christopher Scott (Evidence of Things not Seen).  Carnegie Mellon alumna Gillian Hassert, who will have just returned from the national tour of Fame, makes her Resonance Works debut.  The production will be narrated by Pittsburgh’s opera and musical icon, Anna Singer (Pittsburgh Opera – Daughter of the Regiment and popular on-air host of classical WQED) – who may have a musical surprise of her own!  Duo pianists are the extraordinary Rob Frankenberry and Sara Chiesa.

Tickets are Adults $25, Members $20, and Students $5.  Call to reserve: 724-659-3153 or buy online here.

 

ABOUT RESONANCE WORKS

In less than four years, Resonance Works has quickly become an important part of the professional arts ecosystem in Pittsburgh, and is committed to maintaining a rich and vibrant community of professional musicians in the region. Resonance Works’ multi-modal approach takes the form of a variety of musical performances that may include opera, chamber music, orchestral music, and choral music, often with interwoven elements of dance, visual media, and spoken word.

Resonance Works embraces all of Pittsburgh. Venues are carefully chosen to enhance and inform each performance project, and celebrate spaces throughout Pittsburgh –  the North Side, in Shadyside, Downtown, Regent Square, Oakland, and the Strip District in Pittsburgh… and now they coming to the other ‘Burgh – Foxburg. 

This is its first run out performance for ARCA in Foxburg’s Lincoln Hall.


MISSION

Resonance Works is an artist-driven, collaborative, multi-modal performing arts company dedicated to exploring the confluence of artist, audience, music, and space through performances that empower musicians and engage audiences.

Artist-driven programming sets Resonance Works apart. They create our seasons to showcase outstanding professional artists from Pittsburgh and beyond, performing in a variety of venues in Pittsburgh.  Their artists are creative partners in every way – performers, administrators, board members, and donors – and their work has quickly become an important part of the professional arts ecosystem in Pittsburgh. They are committed to maintaining a rich and vibrant community of professional musicians, and work to produce performances that complement the work of larger organizations such as the Pittsburgh Symphony, Opera, and the Ballet.

Trouble in Tahiti

A multi-modal approach: They present a variety of musical performances that include, but are not limited to opera, chamber music, orchestral music, and choral music, often with integrated elements of dance, visual media, and spoken word. Their venues are chosen to enhance and inform each of our performance projects, and celebrate spaces throughout the city. Exciting collaborators include Cello Fury, Texture contemporary Ballet, and the University of Pittsburgh Department of Theater Arts.

In their first three seasons, the spectrum of their programming has included fully-staged operas by Verdi, Donizetti, Massenet, and Menotti; orchestral works by Shostakovich, Mahler, Bach, de Falla, Piazzolla, Debussy, Respighi, and Copland; vocal works by Britten, Pergolesi, Rorem, Bernstein, and Pittsburgh’s own Nancy Galbraith; and chamber works by Barber, Bach, Boulanger, and many others. In addition to our mainstage productions, they offer a popular Resonance Chamber @ The Cloak Room chamber music series with programs curated by their artists that riff off of our mainstage projects.  www.resonanceworks.org

ABOUT THE ARTISTS

Resonance Works was founded in 2013 by Artistic Director Maria Sensi Sellner who is recognized for her versatility as a conductor of opera, orchestras and choruses. The first three-time winner of The American Prize for Opera Conducting, she is active as an opera conductor throughout the northeast, and has previously held positions with the Mendelssohn Choir of Pittsburgh, the Akron Symphony, and Carnegie Mellon University. Maria holds degrees in conducting, composition, and engineering from Carnegie Mellon University. www.MariaSensiSellner.org

Hilerie Klein Rensi, mezzo soprano

Rebecca Shorstein, soprano

Gillian Hassert, mezzo soprano

Christopher Scott, baritone

Daniel Teadt, baritone

Anna Singer, soprano

Sara Chiesa, piano

Rob Frankenberry, piano

Craig Joseph, stage director

Susanne OrtnerClarinet & Soprano Saxophone
John MarcinizynGuitar

Love and Romance will be in the air as Allegheny RiverStone Center for the Arts opens its 2017 season with a Valentine’s Cabaret on Saturday, February 11 at 7:30 PM in Lincoln Hall in Foxburg with the glorious artistry of The Susanne Ortner and John Marcinizyn Duo.  Glittering candlelight and cabaret table seating (with beverages by donation) make it the perfect night out with your sweetheart to celebrate the Valentine’s Day holiday.  Cheese and snacks will be served and beverages by donation.

It will be “Love at first Song” as the inspiring music making of clarinetist/soprano saxophonist Susanne Ortner and guitar virtuoso John Marcinizyn enchants you with melodies they love – the romantic and mesmerizing sounds of New Orleans, Paris, and Brazil and the Gypsy Swing World… music to make your spirits soar and your feet move! And, yes, there will be dancing at the back of Lincoln Hall.

Hear Susanne while you still can in this “Farewell Performance”!  Be a part of this musical love-fest and Foxburg’s farewell to Susanne, who is moving to the wonderful musical city of New Orleans – “The Cradle of Jazz” – for grand, new musical adventures, performing with the extraordinary community of jazz musicians there.  Her expressive sound, technical virtuosity, wit and inspired riffing with the consummate guitarist, John Marcinizyn, will transport you and make this a Valentine’s celebration to remember!

Tickets are Adults $30 and Members $25.  Because of cabaret tables, seating is limited.  Buy online here or call to  reserve 724-659-3153.

ABOUT THE ARTISTS

Susanne Ortner

“Susanne Ortner seems to be capable of everything … Warm, soft tones if necessary, rapid, speedy passages and in addition to this the challenging embellishments, typical for klezmer music, all at breakneck speed and with an almost unbelievable ease.” Donau Zeitung.

Internationally renowned for her artistry and musical versatility, German clarinetist Susanne Ortner has been acclaimed for “her almost unbelievable witchcraft on the clarinet” both as a soloist and member of the German Klezmer Quartet “Sing Your Soul“,  Klez & Morim with the Bulgarian accordionist Vladimir Mollov and with guitarist John Marcinizyn in the Ortner-Marcinizyn Duo.  She also has performed with extraordinary musicians such as pianist Tom Roberts, guitarist Mark Strickland, trumpeter Charlie Caranicas (NYC), drummer Tom Elrick, drummer Roger Humphries (Pittsburgh), as well as multi-instrumentalist Vince Giordano (NYC).   Other collaborations have been with accordionist/pianist Alan Bern, and Noah Bendix-Balgley, former Concertmaster of the Pittsburgh Symphony – now Concertmaster of the Berlin Philharmonic.

The German Newspaper Augsburger Allgemeine states that she is “a musician par excellence, capable of moving you deeply“. Susanne is a graduate of the Leopold Mozart Conservatory, and the University of Augsburg. She previously taught German literature, language and music.

Susanne is a serious researcher of Eastern European music, and offers Klezmer Workshops. Following an invitation by the University of Pittsburgh in 2006 in recent years she has accompanied Pittsburgh area Holocaust Survivors at schools and Universities creating the musical framework for their stories. Besides master classes and lectures at the University of Pittsburgh, and Duquesne University, she instructed the klezmer band at the Agency for Jewish Learning, was the interim director of the Carpathian Ensemble at The University of Pittsburgh, and has been coaching the CMU/Hillel klezmer band. She has held an adjunct teaching position at Washington & Jefferson College and is the co-founder of the Three Rivers Klezmer Festival.

Susanne has arranged and composed music for many theatrical productions including “Mazel” by Amy Hartman, and “Our Class” by Tadeusz Slobozianek . She appears on several CDs, including “A Trip To America” and “Hot World Chamber Music” (Ortner-Roberts Duo), “A Tribute to Teenie Harris” (Manchester Craftsmen’s Guilde), “Khosn Kale Mazl-Tov” (Sing Your Soul), and has done book and film projects.

She is the subject of the recent book “Living the Dream” – Für die Musik nach Amerika” (Wissner Verlag Augsburg, 2011), written by German Television journalist Helge Fuhst.

John Marcinizyn

Pittsburgh based guitarist, composer, banjoist John Marcinizyn performs frequently as a soloist, with the Ferla-Marcinizyn Guitar Duo, Ortner-Marcinizyn Duo, contralto Daphne Alderson, Duo Cieli (flute and guitar duo), violin and guitar duo, and groups ranging from The Bach Choir of Pittsburgh to Billy Price. He is also a member of The Red Hot Ramblers (Dixieland jazz).

His versatility as an acoustic and electric guitarist allows him to perform in many styles including classical, jazz, flamenco, rock, blues, and folk. John has also performed guitar and banjo for many theater companies including Quantum Theatre, where he wrote and performed a flamenco score for The Red Shoes and a Blues score for El Paso Blue. His playing can be heard on eight CDs and one DVD and on his website.

John’s original music compositions have received numerous performances and include a guitar concerto, string quartet, orchestral music, music for theater, and pieces for solo guitar and guitar with mixed ensemble, as well as a number of jazz and rock pieces.

His Sonata for Guitar and Marimba received critical acclaim following its premiere at the Guitar Foundation of America International Festival and Competition held in Buffalo.  The Westmoreland Symphonic Winds commissioned Song for the Sparrows, in memory of Beth Ann Johnson and Elyse Jeanne Saraceni who were killed in the 1988 terrorist bombing of Pan Am flight 103.  IonSound Project premiered his And All Manner of Thing Shall Be Well, for Contralto, Cello and Piano, based upon the writings of Julian of Norwich.

Unknown-1

John wrote and performed the theme music for Excela Health’s (hospitals, rehabilitation centers, and health facilities of Westmoreland County) television, radio and web commercials. Recently he toured in South America and the Eastern Caribbean with contralto, Daphne Alderson in programs that varied from chamber music through cabaret.

John holds a Ph. D. in music composition and theory from the University of Pittsburgh, and is an Artist-Lecturer in guitar and composition at Carnegie Mellon University and Seton Hill University.  He also teaches a class on slide guitar techniques at the Duquesne University Guitar and Bass Summer Workshop.

 

 

Brian LowryKeyboards, Accordion, Hammered Dulcimer
Kelly LowryVocals & Percussion
Caitlin LowryVocals & Bodhran
Benjamin LowryBass, 6-String Guitar, Vocals
Joshua LowryFiddle, Mandolin, Banjo, Vocals
Roy AbbottFlute & Vocals
Daryl HartmanVocals, 12-String Guitar, Mandolin
Jonathan ShegogHighland pipes, small pipes, Vocals

Returning by popular demand, the superb Irish Band CARNIVAL OF SOULS will sound the call for the Irish on Saturday night, March 18, 2016 at 7:00 PM at Lincoln Hall in Foxburg. 

Extend your St. Patrick’s Day Celebration with this joyous evening of superb Irish and Celtic Music with the very talented Lowry Family and Friends. Leprechaun magic will abound with the call of the highland bagpipes and all those lucky enough to be Irish – and all those hopefuls who wish they were Irish  – will tap their toes and kick up their heels celebrating St. Patrick’s Day weekend in Foxburg.

Led by Brian and Kelly Lowry the band features highland pipes, bodhrán drum, 12 string and bass guitar, mandolin, fiddle, accordion, and keyboard along with high spirited vocals.   Listen to their music from their CD No Scone Unburned – Forty-two Pound Checque/Wind that shakes the Barley on their website, Carnival of Souls.    More samples of No Scone Unburned  and their second CD, SconeHenge,  is available through their website and CD Baby.  CDs will be available for sale at the concert.

Tickets are $15 for Adults and $5 for students.  To reserve, call 724 659-3153 or you  can buy tickets online on this page.

CARNIVAL OF SOULS has been performing traditional and original Celtic music in Western Pennsylvania, eastern Ohio, and West Virginia for nearly twenty years. The group uses a wide variety of traditional and non-traditional instruments to produce a rich range of music that would be at home in a pub in Dublin or a coffee shop in Shadyside.

Their first CD, “No Scone Unburned” was released in 1999 and has been acclaimed by Dirty Linen, the international magazine of folk music, and is in the Irish music archives in Dublin. They can be heard at a variety of venues in the tri-state area.

The band includes talented members of the extended Lowry family.  The band members are:

Roy Abbott – flute

Daryl Hartman – vocals, 12-string guitar, mandolin

Brian Lowry – keyboards, accordion, tin whistle, hammered dulcimer

Kelly Lowry – vocals, percussion

Jonathan Shegog – Highland pipes, small pipes

Caitlin Lowry – vocals, bodhran, keyboard

Benjamin Lowry – bass, six-string guitar, vocals

Joshua Lowry – fiddle, mandolin, banjo, vocals

 

Navigation

Allegheny RiverStone Center for the Arts