David Allen Wehr & Flute/Guitar Piazzolla History of the Tango

David Allen WehrPiano
Rhian KennyFlute
John MarcinizynGuitar

Spring will be in full musical bloom on the beautiful Allegheny on Sunday, May 3, 2026 at 2:00 PM  – as International piano laureate David Allen Wehr returns with a program of solo piano music by Rachmaninoff, Brahms and Gershwin and chamber music joined by Pittsburgh Symphony Orchestra flutist Rhian Kenny in the Poulenc Flute Sonata and concluding with Rhian Kenny with virtuoso guitarist John Marcinizyn performing Astor Piazzolla’s popular flute and guitar duo “The History of the Tango”.

Join us for a delicious tasting from the passion of Rachmaninoff fantasies and joyous delight of Brahms waltzes to the mix of international composers influenced by 20th century popular musical vernaculars – Gershwin by American jazz and the blues, Poulenc by Parisian café music and Piazzolla by the Argentinian tango.

After the concert, meet the artists and enjoy the wine and cheese reception from 4 to 6 PM for the opening exhibit of the 2026 Red Brick Gallery season: Charlie Platt Earthenware Ceramics and Jason Floyd Lewis Drawings and Paintings: Two artists working in distinct media, concurrently inspired by the waterways and landscape of Western Pennsylvania.

Tickets: Adults $25 | ARCA Members discount $20
Students FREE – Parents/accompanying adults receive ARCA Member discount – $20
BUY online here.
Call to RESERVE 724-659-3153 with cash or check at the door.

ARCA is grateful for the very generous gift from Dan and Karen Mortland sponsoring David Allen Wehr’s return to the Lincoln Hall Steinway with chamber musicians Rhian Kenny and John Marcinizyn.

ABOUT THE PROGRAM

Consummate piano virtuoso David Allen Wehr opens his program with three selections from “Fantasie pieces” by Sergei Rachmaninoff, including the Melodie below recorded for the Connoisseur Society.

Rachmaninoff is a signature composer for Wehr, having won the Record of the Year for 1998 for the American Record Guide for his recording of the Two Suites for duo piano with Cynthia Raim, which was described as allowing “the composer’s melodies and phrases a natural shape… with a great feeling of contrast, light and shade. Has the Waltz for piano duet ever sounded more delightful and playful?”

Reviewing David Allen Wehr’s performance of the Brahms Waltzes that he will be performing in its single piano version on May 3, the America Record Guide wrote, such luscious performances that they fill one’s soul with sheer joy.  Absolutely gorgeous sound.”

The joy of the Brahms Waltzes, Opus 39 will be followed by David Allen Wehr’s performance of the introspective Intermezzo, Op. 118, no. 2.

The first half closes with the quintessentially “American” Three Preludes of George Gershwin, written in 2026 just two years after the premiere of Rhapsody in Blue and combining ragtime, blues, jazz, and classical music.

Acclaimed for his recording of Joe Utterback’s jazz compositions, this is David Allen Wehr’s first performance of the Gershwin preludes in Lincoln Hall.

David Allen Wehr and Rhian Kenny, Pittsburgh Symphony Principal Piccolo and Flute, will perform the major virtuoso flute work – Francis Poulenc’s three movement Sonata for Flute and Piano.

Written in the middle of the twentieth century (1957) on a commission from the Elizabeth Sprague Coolidge Foundation at the U.S. Library of Congress, the sonata reflects Poulenc’s own mood shifts from melancholy to joy – with delightful contrasts of Poulenc’s sensuousness in one moment to innocence in the next  – with elegance and virtuosity – charm and melancholy… perfect for a beautiful Spring day.

Ending the program is Astor Piazzolla’s flute and guitar duo The History of the Tango (1985)  that chronicles in four movements the evolution of the tango from a lively dance style of the streets into a serious concert music form in prestigious concert halls worldwide, elevating it into a critically acclaimed genre.

From its origin in 1900 in the brothels of Buenos Aires to cafe life of 1930 and nightclub music of 1960 with a fusion of the Brazilian Bossa Nova, the last movement is a ‘nuevo tango’ that combines elements of jazz and classical music, uniquely developed by Piazzolla.

  • Musical Evolution (Histoire du Tango):
    • Bordello 1900: Reflects the upbeat, rhythmic, and “impure” origins of tango in Buenos Aires’ lower-class districts, driven by flute and guitar.
    • Café 1930: Highlights the shift towards listening rather than dancing, featuring slower, more romantic, and melancholic melodies.
    • Night Club 1960: Represents the “new tango” era, incorporating jazz, bossa nova, and innovative, complex harmonies.
    • Concert d’Aujourd’hui (Today): Blends tango with modern classical influences (Stravinsky, Bartók).

Founders’ Concert

David Allen Wehr’s concert is ARCA’s 2026 FOUNDERS’ CONCERT honoring the memory of its recently deceased founding President Dr. Arthur Steffee and Secretary – Treasurer, Patricia Ann Steffee who admired Wehr’s solo piano and chamber music performances in Lincoln Hall and entertained him in their homes with concert attendees after concerts.

Other recently deceased founders we honor are Arch Newton, Jae Ann Brown, Sue and Jerry Peairs, and Lou Kalinowksi. We are grateful that Andor Paposi Jobb who curated the original Lincoln Hall stage backdrop when it was found rolled up during the renovation is still with us.

Red Brick Gallery Post-concert Opening Reception

After the concert, plan to meet the artists and enjoy the wine and cheese reception from 4 to 6 PM for the opening exhibit of the 2026 Red Brick Gallery season: Charlie Platt Earthenware Ceramics and Jason Floyd Lewis Drawings and Paintings: Two artists working in distinct media, concurrently inspired by the waterways and landscape of Western Pennsylvania.

Program Host – David Allen Wehr

A favorite of Foxburg audiences, David Allen Wehr brings this popular program from his sold-out Music on the Bluff Series at The Mary Pappert School of Music and will serve as the program host for the concert, providing enlightening insights on the music and composers.

David Allen Wehr’s international career was launched when he won the Gold Medal at the 1987 Santander International Piano Competition in Spain. The resulting tours have taken him to over 30 countries in Europe, North and South America, and the Far East, including performances in the world musical capitals of New York, London, Paris, Vienna, Washington, Madrid and Buenos Aires.

It was David’s thirteen seasons touring the United States and Canada for Community concerts as a soloist and in chamber music partnerships that honed his unique ability to make great works of music accessible to the public.  Known for his ability as a “Living Program Note”, David Allen Wehr has a warm personality that welcomes an audience member into the emotion of the music and makes imaginative and simple the intricacies of great works of master composers.

The popular “Music on the Bluff” comes to Foxburg

Rhian Kenny, flute
John Marcinizyn, guitar
David Allen Wehr, piano

Sergei Rachmaninoff (1873-1943)

   Three Selections from “Fantasy-Pieces, op. 3” (1892)

   Prelude

   Melodie

   Polichinelle

Johannes Brahms (1833-1897)

   Sixteen Waltzes, op. 39 (1865)

   Intermezzo in A Major, op. 118, no. 2 (1893)

George Gershwin (1897-1937)

   Three Preludes (1926)

David Allen Wehr, piano

 

—- Intermission —-

 

Francis Poulenc (1899-1963)

Sonata for Flute and Piano (1957)

    Allegro malinconio

    Cantilena: Assez lent

    Presto giocoso

Rhian Kenny, flute
David Allen Wehr, piano

 

Astor Piazzolla (1921-1992)

The History of the Tango (1985)

   Bordel, 1900

   Café, 1930

   Nightclub, 1960

   Modern-Day Concert

Rhian Kenny, flute
John Marcinizyn, guitar

David Allen Wehr

David Allen Wehr holds the Jack W. Geltz Distinguished Piano Chair at the Mary Pappert School of Music. His international career was launched when he won the Gold Medal at the 1987 Santander International Piano Competition in Spain. The resulting tours have taken him to over 30 countries in Europe, North and South America, and the Far East, including performances in the world musical capitals of New York, London, Paris, Vienna, Washington, Madrid and Buenos Aires. Over 1,000 concerts include 13 seasons of touring the United States and Canada for Community Concerts as soloist, pianist with the Sartory Trio, and duo-recital partner with violinist Linda Wang and cellist Zuill Bailey. Wehr has been soloist with the London Symphony, National Symphony, Chautauqua Symphony, Houston Symphony, New Zealand Symphony and all the major Spanish and Latin American orchestras.

Born in Princeton, New Jersey, Wehr grew up in Boise, Idaho, where his parents, graduates of Westminster Choir College, were ministers of music at the Methodist Cathedral of the Rockies. Piano lessons began on his fourth birthday with his mother and continued with his father. Later teachers were Peggy Erwin, Edward Zolas and Sequeira Costa. Wehr studied at the Cleveland Institute of Music, the Taos School of Music, the Dartington Summer Music School in England, and holds degrees from the University of Kansas. He coached extensively with Leon Fleisher, Jorge Bolet and Malcolm Frager. Early in his career, Wehr won the 1975 Kosciuszko Chopin Prize in New York City, the 1983 National Federation of Music Clubs Young Artist Award, and Second Prizes in the 1983 Naumburg International Piano Competition at New York’s Carnegie Hall, and the 1986 Kapell Competition at the Kennedy Center.

David Allen Wehr has amassed a large and critically acclaimed discography with Connoisseur Society, Inc., with programs by Chopin, Debussy, Rachmaninoff, Mussorgsky, Schumann, Delius, Czerny, Gershwin, Brahms, Griffes, Wagner-Liszt, Dvoř-k and Joe Utterback. The complete Beethoven Sonata Cycle has been released in four double-CD albums. His CDs are available through the Mary Pappert School of Music by calling (412) 396-6082 and at amazon.com. Since 2007, Wehr has served each summer as Principal Keyboard at the Sunflower Music Festival in Topeka, Kansas and the Buzzards Bay Musicfest in Marion, Massachusetts.

Wehr was first associated with Duquesne from 1991-1994, when the Sartory Trio was chamber ensemble-in-residence, and his current tenure began in 2001, when he was named the first Hillman Distinguished Chair. His previous performance projects here include the complete Beethoven Sonata Cycle (2002-2004), Beethoven’s “Dynamic Duos”: the complete violin-piano sonatas with Charles Stegeman, the complete works for cello and piano with Anne Martindale Williams, and the Ninth Symphony in Liszt’s two-piano transcription with Helene Wickett (2004), “Brahms on the Bluff”, (Brahms’ complete instrumental chamber music, 2005-2008), “Musique on the Bluff” (French music, 2008-2010), “Bicentennials on the Bluff” (Chopin and Schumann, 2010), “Dvořák at Duquesne” (2011), and “Budapest on the Bluff” (2012) and “Beethoven on the Bluff” (2013-14) presenting the major piano chamber works of Beethoven.

Rhian Kenny, flutist 

Rhian Kenny joined the Pittsburgh Symphony Orchestra in 1990 as principal piccolo.  She holds the Frank & Loti Gaffney Chair. Active in the orchestra’s education and outreach programs, she speaks often to groups throughout the Pittsburgh region. Kenny pays it forward by teaching the next generation and by chairing the Musicians Care Fund with the mission  to provide  access to great music for every child in our region.

Kenny was born in Benghazi, Libya and grew up in Calgary, Canada,  where she began her flute studies at the age of nine.  She continued her studies with Timothy Hutchins at McGill University in Montréal where she received a bachelor’s degree in Music.

 Throughout her studies, she won many competitions, including the Concours de l’Orchestre symphonique de Trois-Rivières (1989), Concours de l’Orchestre symphonique de Montréal (1988), and the Concours de l’Orchestre symphonique de Québec (1987).

Rhian Kenny used to chaperone, chauffeur, coach and cheer on her three daughters, but now that they have moved on, she finds herself on and in the water swimming or rowing or trying to stay out of the water while playing golf. She enjoys yoga to release all life’s stressors.

John Marcinizyn, guitarist

Pittsburgh based guitarist, composer, banjoist John Marcinizyn performs frequently as a soloist, with the Ferla-Marcinizyn Guitar Duo, contralto eDaphne Alderson, flute and guitar duo, violin and guitar duo, and groups ranging from The Bach Choir of Pittsburgh to Billy Price. He is also a member of Acoustic Swing (jazz trio), and The Red Hot Ramblers (Dixieland jazz).

His versatility as an acoustic and electric guitarist allows him to perform in many styles including classical, jazz, flamenco, rock, blues, and folk. John has also performed guitar and banjo for many theater companies including Quantum Theatre, where he wrote and performed a flamenco score for The Red Shoes and a Blues score for El Paso Blue.  His playing can be heard on eight CDs and one DVD.

A favorite of ARCA audiences, John has recently appeared in Foxburg with clarinetist Susanne Ortner both in a cabaret in Lincoln Hall and in the Allegheny-Clarion Valley Schools educational residency, “The Music That Makes Me Dance”, performing for students from grades K to 12.  With his wife, contralto Daphne Alderson, John performed in the Valentine’s cabaret, “Return to Love Cafe”, in Lincoln Hall.

John’s original music compositions have received numerous performances and include a guitar concerto, string quartet, orchestral music, music for theater, and pieces for solo guitar and guitar with mixed ensemble, as well as a number of jazz and rock pieces.  His Sonata for Guitar and Marimba received critical acclaim following its premiere at the Guitar Foundation of America International Festival and Competition held in Buffalo.

The Westmoreland Symphonic Winds commissioned Song for the Sparrows, in memory of Beth Ann Johnson and Elyse Jeanne Saraceni who were killed in the 1988 terrorist bombing of Pan Am flight 103.  IonSound Project premiered his And All Manner of Thing Shall Be Well, for Contralto, Cello and Piano, based upon the writings of Julian of Norwich. John wrote and performed the theme music for Excela Health’s (hospitals, rehabilitation centers, and health facilities of Westmoreland County) television, radio and web commercials.

John holds a Ph. D. in music composition and theory from the University of Pittsburgh, and is an Artist-Lecturer in guitar and composition at Carnegie Mellon University and Seton Hill University.  He also teaches a class on slide guitar techniques at the Duquesne University Guitar and Bass Summer Workshop.

Discover Foxburg!

When planning your trip to Foxburg – plan to take a brisk walk in the gorgeous spring afternoon along the Allegheny River trail or rent bicycles or have a scenic pontoon tour (beginning May 1 through October) on the Allegheny River with Foxburg Tours!

Before or after the concert, plan to dine overlooking the Allegheny on the deck of  The Allegheny Grille or for lighter fare, soup, salads, sandwiches and amazing pizzas PLUS the pizza of the month at  Foxburg Pizza.

Or have a wine tasting or enjoy a bottle of wine inside or on the patio of the remodeled Foxburg Wine Cellars.

When you become an ARCA member at the $100 level, receive a 10% discount on up to 6 bottles of wine on the day of an ARCA concert.

Make it a weekend on the beautiful Allegheny – having a romantic overnight at The Foxburg Inn, where every room has a river view – and seating on the patio is the perfect place for reading or resting after a walk or bicycle ride.

As an ARCA member at the $100 level, you receive a 5% room discount any time of the year and a 10% discount from Friday to Sunday on concert weekends.  You may utilize the hotel website or calling directly (724-659-3116) and showing your membership card at check-in.