Premiere chamber musician and Pittsburgh Symphony violinist, Jennifer Orchard, is joined by Igor Kraevsky, David Harding & PSO musicians in the first annual concert honoring ARCA’s beloved founder Patricia Ann Steffee featuring music by Strauss, Prokofiev and from her CD of music by Juon.
It promises to be a glorious afternoon of world class chamber music in the intimacy and crystalline acoustics of Lincoln Hall .
The concert includes t
Pittsburgh Symphony violinist Jennifer Orchard is a favorite of ARCA audiences, having appeared in ARCA’s inaugural classical concert in 2005 by mezzo soprano Katherine Soroka with cellist Mikhail Istomin; they have performed in nearly every ARCA season since with the Pittsburgh Symphony Chamber Players, an acclaimed group of musicians noted for their daring and intelligent programming presented with uncompromising artistry.
The Pittsburgh Post-Gazette states: “They appealed to the heart and the head, offering a warm, seductively luxurious sound and an impressive precision and unity of purpose”.
Jennifer and her three gorgeous children also were frequent visitors to RiverStone farm and a friend of ARCA’s founder, Patricia Ann Steffee, in whose memory this concert has been dedicated. Jennifer performed at
. Friend – Patricia It will be a love fest for their fans as they return to perform some of the most lyrically beautiful chamber music ever written!
After the concert, join us for a Meet the Artist reception at the Red Brick Gallery and Gift Shop, from 4 to 6 PM coinciding with the Red Brick Gallery exhibit
Tickets are Adults $25, Members $20, Students $5. Call to reserve at 724-659-3153 or buy online here.
Juon: Silhouettes op. 43 #1&2 for violin, viola and piano.
Gliere: 3 duets for violin and viola.
Prokofiev: Suite from Romeo and Juliette for viola and piano
Khachatirian: Suite from Gayaneh for violin and piano.
Juon: Trio-Miniatures for violin, viola and piano.
“I can’t remember a time when I was not playing the violin,” says PSO violinist Jennifer Orchard. The statement reflects on her earliest memories of music, but it speaks to a larger truth about this gifted artist: Life and music have always been joined as she lives out her life passion every day.
Orchard’s biography spans all of the rites of passage that come with attaining the status of a world-class musician- the childhood successes the rigors of conservatory training, and the progress of a professional career. Yet the conventional narrative does not capture the more complete picture of Orchard, who has a heartfelt love for the beauty of music and a sense of purpose as she brings it to life.
Orchard came to the violin as a young child and grew rapidly. Her early success led to admission into the Curtis Institute of Music and The Juilliard School, where she honed the skills that would lead to a professional career.
She speaks with reverence of her teachers, including famed violinists Szymon Goldberg, Robert Mann and Lorand Fenyves, who helped her achieve both virtuosity and artistry.
From her conservatory studies, Orchard entered her first professional position as a member of the Lark Quartet. She played with Lark for eight years, from 1993-2001 and while there began a recording career that continues to this day.
Now a member of the Pittsburgh Symphony first violin section, Orchard channels her artistic endeavors through many avenues. In 2015, she and three other PSO musicians formed the Clarion Quartet which commits itself to performance and awareness of composers whose lives and careers were destroyed through the atrocities of WWII. These composers, deemed degenerate by the Nazi party have been neglected and largely forgotten since the war. The Clarion Quartet’s mission is to break the silence and restore this music to its rightful place on the stages of today. Their recording of three such composers came out in 2018 and is available on Naxos.
Orchard’s recording work also includes partnering with pianist Igor Kraevsky on the music of Paul Juon, a Russian composer whose works were also, though not through war, neglected and largely unknown. Orchard and Kraevsky’s work together has spanned fifteen plus years, performing the world premiere of Paul Juon’s Triple concerto in Moscow Conservatory Hall and producing many recordings including two world premieres entitled Weisse Nachte and Bagatellen.
Orchard expresses a sincere and humble gratitude for having had the opportunity in her life to play with great musicians and for appreciative audiences, which is the fulfillment of a life mission.
As for how she articulates that personal mission, she says without hesitation: “To always have passion about the music, and to never stop playing.”